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Mumford on modern art in the 1930s / edited and with an introduction by Robert Wojtowicz.

By: Mumford, Lewis, 1895-1990Contributor(s): Wojtowicz, RobertMaterial type: TextTextPublication details: Berkeley : University of California Press, ©2007. Description: 1 online resource (xii, 265 pages) : illustrationsContent type: text Media type: computer Carrier type: online resourceISBN: 9780520933132; 0520933133; 1282359118; 9781282359116; 9781429457262; 1429457260Uniform titles: New Yorker (New York, N.Y. : 1925) Subject(s): New Yorker (New York, N.Y. : 1925) | New Yorker (New York, N.Y. : 1925) | Art, Modern -- 20th century | Art criticism -- New York (State) -- New York -- History -- 20th century | ART -- History | Art criticism | Art, Modern | New York (State) -- New York | 1900-1999Genre/Form: Electronic books. | History. | Electronic books. Additional physical formats: Print version:: Mumford on modern art in the 1930s.DDC classification: 709/.04 LOC classification: N6490 | .M832 2007ebOnline resources: Click here to access online
Contents:
Acknowledgments; Introduction; Foreword to "The Metropolitan Milieu"; The Metropolitan Milieu; The Art Galleries, 1932-1933; The Art Galleries, 1933-1934; The Art Galleries, 1934-1935; The Art Galleries, 1935-1936; The Art Galleries, 1936-1937; Illustration Credits; Index.
Summary: Although Lewis Mumford is widely acknowledged as the seminal American critic of architecture and urbanism in the twentieth century, he is less known for his art criticism. He began contributing to this field in the early 1920s, and his influence peaked between 1932 and 1937, when he was art critic for the New Yorker. This book, for the first time, assembles Mumford's important art criticism in a single volume. His columns bring wit and insight to bear on a range of artists, from establishment figures like Matisse and Brancusi to relatively new arrivals like Reginald Marsh and Georgia O'Keeffe.
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"Ahmanson Murphy fine arts imprint"--Page [i].

Selection of articles originally published in the New Yorker, 1932-1937.

Includes bibliographical references and index.

Print version record.

Acknowledgments; Introduction; Foreword to "The Metropolitan Milieu"; The Metropolitan Milieu; The Art Galleries, 1932-1933; The Art Galleries, 1933-1934; The Art Galleries, 1934-1935; The Art Galleries, 1935-1936; The Art Galleries, 1936-1937; Illustration Credits; Index.

Although Lewis Mumford is widely acknowledged as the seminal American critic of architecture and urbanism in the twentieth century, he is less known for his art criticism. He began contributing to this field in the early 1920s, and his influence peaked between 1932 and 1937, when he was art critic for the New Yorker. This book, for the first time, assembles Mumford's important art criticism in a single volume. His columns bring wit and insight to bear on a range of artists, from establishment figures like Matisse and Brancusi to relatively new arrivals like Reginald Marsh and Georgia O'Keeffe.

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